Rosalind Brown

Practice

“A glimpse of a miracle” – “Extraordinary” – “Rich and precise and intelligent” – “Brilliantly observed” – “A true marvel”

Six o’clock in the morning, Sunday, at the worn-out end of January.

In a small room in an Oxford college, cold and dim and full of quiet, an undergraduate student works on an essay about Shakespeare’s sonnets.

Annabel has a meticulously planned routine for her day – work, yoga, meditation, long walks; no apples after meals, no coffee on an empty stomach – but finds it repeatedly thrown off course. Despite her efforts, she cannot stop her thoughts slipping off their intended track into the shadows of elaborate erotic fantasies.

And as the essay’s deadline looms, so too does the irrepressible presence of other people: Annabel’s boyfriend Rich, keen to come and visit her; her family and friends who demand her attention; and darker crises, obliquely glimpsed, all threatening to disturb the much-cherished quiet in her mind.

Exquisitely crafted, wryly comic, and completely original, Practice is a novel about the life of the mind and the life of the body, about the repercussions of a rigid routine and the deep pleasures of literature.

Practice is out now in the UK, Ireland, Australia and New Zealand (Weidenfeld & Nicolson), published on 25 June 2024 in the USA and Canada (Farrar, Straus & Giroux), and coming later in 2024 in Germany (Blessing Verlag, date tbc).

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Praise for Practice:

“From the narrowest and most confined of premises, Rosalind Brown has conjured a novel as big as a world. Reading this book is a strange and shimmering joy; a glimpse of a miracle” – Jon McGregor, author of Reservoir 13
“Practice totally won me over, not least on account of its many passages of exquisite writing” – Mark Haddon, author of The Curious Incident of the Dog in the Night-Time
“[A] fine debut … a compelling insight into the recesses of the human mind” – Ben East, The Observer
“Practice is rich and precise and intelligent. I started counting up paradoxes: a novel about restriction that stages beautiful questions about fantasy; a novel limited to a single day that swoops among time frames; a novel where containment allows for bravura stylistic power. It’s a unique novel, and Rosalind Brown is a unique – and wonderful – novelist” – Adam Thirlwell, author of The Future Future
“I had a lot of fun with Practice by Rosalind Brown. I think only she and Proust can get me into the space where I’m happy to read about someone walking across a room for all these pages. You’re reading about reading; you have to be really good to do that in a compelling way.” – Helen Oyeyemi, author of Mr Fox
“An extraordinary book, a phenomenology of a day in the life of a mind that draws the reader in with an at times alarming closeness and a haunting clarity. I’ve seldom read such an engaging, persuasively written account of the pleasures, hopes, fears and difficulties of being a person. Nor such an accurate account of what happens when you read. It is beautiful without being precious, intelligent and acute without effort. I loved it.” – Dr Ian Patterson, author of Still Life
“I was absolutely blown away by Rosalind Brown’s Practice. It’s a true marvel. It was unlike anything I’ve ever read before; to read it felt like meditation. I lost myself in every perfect, surprising sentence, in its painfully acute observations. Every day I looked forward to the hour I would spend reading it: I was awed by the care of it, the beauty, the tautness, the way it made the everyday transcendent” – Elizabeth Macneal, author of The Doll Factory
“A day in the life of an introspective and erudite student, Practice makes clear the gulf between an interior life and the one that is presented to the world. Rosalind Brown has a rare ability to record – with great humour, originality and near-hallucinogenic precision – the significance, or not, of each tumbling moment and thought” – Jennifer Higgie, author of The Mirror and the Palette
“[A] touching portrait of an ordinary life” – Camilla Cassidy, The Spectator
“Rosalind Brown’s impressive debut novel deliciously combines the elaborate formality of a Shakespeare sonnet with the fully realised embodiment of a less ambiguous age. And its preoccupations – love, desire, identity – are timeless” – Catherine Taylor, author of The Stirrings
“Rosalind Brown’s novel captures with singular precision the perverse and seductive nature of closely reading a work of literature: of sitting with a text, internalising it, living around it, so that the language becomes entangled with our daily routines, banalities and pleasures. Here, the seasonal rhythms of the campus novel are compressed stylishly into a single day. What emerges amid the brilliantly observed details of one woman’s interior life is an allegory for reading as a means of inhabiting literature at the deepest level – while making a discrete literary achievement of its own” – Sam Buchan-Watts, author of Path Through Wood
“Practice won me round with its good writing. A beautifully written meditation on the contentments of reading. Rosalind Brown feels like the real thing” – Andrew Miller, author of Pure
“A detailed and lyrical ode to one young woman’s way of being, and to the little rituals that guide her. I found Practice to be both cautionary and rousing. A candid portrait of a day in a tightly controlled life” – Chloë Ashby, author of Second Self
“Quietly brave” – Daily Mail
“[G]orgeously written … Brown’s attentiveness to the suppleness of language and the poetry of everyday life makes this slim novel absolutely transporting … A brilliant and keen work about being fully alive” – Kirkus Reviews (starred review)
“A novel spectacularly committed to a young woman’s intellectual and bodily appetites, written in exact and tender prose” – Sarah Moss
“[F]unny, intense, and strangely gripping” – Financial Times
“The minutiae of a day in the life of a mostly happy student are brilliantly conveyed in this wryly comic debut . . . Brown is a wonderful writer” – The Guardian